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PRODUCTION / FINANCEMENT Espagne / Suède

Ça tourne pour Forastera, le premier long-métrage de Lucía Aleñar

par 

- Zoe Stein, la comédienne qui jouait déjà le premier rôle du court-métrage du même nom dont ce film sur le deuil et ses fantômes est le prolongement, donne ici la réplique à Lluís Homar

Ça tourne pour Forastera, le premier long-métrage de Lucía Aleñar
(g-d): L'actrice Zoe Stein, la réalisatrice Lucía Aleñar et l'acteur Lluís Homar sur le tournage de Forastera

Cet article est disponible en anglais.

Filming has just begun for Forastera (lit. “Outsider”), the feature debut by Lucía Aleñar, whose short film of the same name was selected for the Critics’ Week at the Cannes Film Festival in 2020. The feature about identity is being shot, in Catalan, until 10 May in various different parts of Alcúdia and Pollença (Mallorca). The cast is made up of Spanish thesps Zoe Stein (whom we first saw in the film Manticore [+lire aussi :
critique
bande-annonce
interview : Carlos Vermut
fiche film
]
and in the series The Invisible Girl, as well as starring in the aforementioned short film of the same name), Lluís Homar (winner of the Goya Award for Best Supporting Actor for Eva [+lire aussi :
critique
bande-annonce
fiche film
]
, and well known for his work in Broken Embraces [+lire aussi :
critique
bande-annonce
interview : Pedro Almodóvar
fiche film
]
and Bad Education [+lire aussi :
bande-annonce
fiche film
]
), Núria Prims (who revived her career in Uncertain Glory [+lire aussi :
critique
bande-annonce
interview : Agustí Villaronga
fiche film
]
and who will soon be hitting screens in A Bright Sun [+lire aussi :
critique
fiche film
]
) and Marta Angelat, alongside Swedish actor Nonni Ardal (the series Evil).

(L'article continue plus bas - Inf. publicitaire)
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The storyline tells of how Catalina’s (played by Zoe Stein) holidays are dramatically turned upside down following the death of her grandmother, to which she is the sole witness. The simple, casual act of putting on the deceased lady’s clothes will become a gateway to a phantasmagorical world that will lead the girl to occupy, both literally and figuratively, the space left behind by the old woman, something that will cause an emotional upheaval among those who love her.

“There isn’t just one single way of feeling pain, and Forastera explores this within a family unit where the hierarchy is upended and the characters will have to seek out a new status quo,” states the first-time filmmaker. “With this movie, I wish to look into the perils and virtues of these repercussions via a girl who is trying to find herself and who discovers a path to this through the character of her late grandma, because she’s someone who wanders somewhat invisibly through her surroundings and who wishes to be seen. When she begins to embody her grandmother, copying her actions and gestures, she finds herself confronted by her grandfather’s gaze. Assuming this new identity, she gradually gains a false sense of control and belonging; she takes refuge in this imaginary and nostalgic game, and gradually loses track of what is real and what is not,” states Aleñar.

“Through this movie, I wish to toy with the figure of the ghost we have all come to know through genre films, which is usually something metaphysical, unruly or even vengeful. In Forastera, the ghosts are part of the characters’ grieving process: I want to explore these creations that they generate themselves, in principle to heal themselves, and how they can evolve and distort the reality they live in,” sums up the writer-director, who took part in the Cannes Residency (Cinéfondation) programme with this project, as well as in two editions of the Next Step lab, run by the Critics’ Week.

Forastera is a co-production by Spanish outfits Lastor Media, Vilaüt Films and La Perifèrica Produccions, and Sweden’s Fox In the Snow. Ariadna Dot, Marta Cruañas, Tono Folguera, Bàrbara Ferrer, Paco Mulet, Montse Rodríguez, Oliver Guerpillon and Marta Requera are the attached producers. The film boasts the involvement of TV3, IB3 and Filmin, as well as support from the ICAA, ICEC, Fundació Mallorca Turisme - Mallorca Film Commission, Creative Europe – MEDIA and the Swedish Film Institute.

(L'article continue plus bas - Inf. publicitaire)

(Traduit de l'espagnol)

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